-40%

$9.95 CLASSIC ROCK, FOLK, COUNTRY ALBUMS - LPs Vinyl Records Quantity Discounts

$ 5.26

  • Artist: Air Supply, April Wine, Bad Company, Eric Carmen, Genesis, Gerry Rafferty, Glen Campbell, Jim Croce, Orleans, Pat Benatar, Ronnie Milsap, The Marshall Tucker Band, Tommy Bolin, Crosby, Stills, Nash & Young, Grand Funk, James Gang, John Paul Hammond, Bachman Turner Overdrive, Captain & Tennille, Kim Carnes, John Cougar, Shaun Cassidy
  • Case Type: Cardboard Sleeve
  • Color: Black
  • Country/Region of Manufacture: United States
  • Custom Bundle: No
  • Edition: First Edition
  • Era: 1970s
  • Features: Original Cover
  • Fidelity Level: Full-Range
  • Format: Record
  • Genre: Acoustic, Country, Folk, Rock
  • Inlay Condition: Very Good (VG)
  • Language: English
  • Material: Vinyl
  • Number of Audio Channels: Stereo
  • Record Grading: Very Good (VG)
  • Record Label: Atlantic Records
  • Record Size: 12"
  • Release Title: Night Owl
  • Release Year: 1985
  • Seller Notes: “Photos are of the actual record you will receive. Scroll through them to better see the condition.”
  • Sleeve Grading: Very Good (VG)
  • Speed: 33 RPM
  • Style: 1960s, 1970s, Classic Rock, Country Rock
  • Type: LP

Description

These records are rated as VG or better. The photos are of the actual records you will receive. Buy multiple records to receive a quantity discount and save on shipping. Select the album(s) you'd like from the "Album" dropdown list. Click "Add To Cart" instead of "Buy Now" to add multiple items to your order. If you have any questions, message me. 30-Day Money-Back Guarantee If for any reason you are not happy with your purchase, I will give you a full refund. I'll even pay for the return shipping. Please reach out to me through eBay and let me make things right. Check out the rest of the records I have listed on eBay - CLICK HERE. Artist Album Title Year Notes Air Supply The One That You Love 1981 AL 9551 April Wine Harder ... Faster 1979 ST-12013 Arthur Brown The Crazy World Of Arthur Brown SD 8198 Atlanta Rhythm Section Champagne Jam 1978 Bachman-Turner Overdrive Head On 1975 SRM T 1067 Bachman-Turner Overdrive Mercury Gatefold 1973 508 Bachman-Turner Overdrive Not Fragile Gatefold 1974 SRM-1-1004 Bad Company Desolation Angels Gatefold 1979 SS 8506 Bay City Rollers Bay City Rollers 1975 AL 4049 Bay City Rollers Rock N' Roll Love Letter Gatefold 1976 AL 4071 Bellamy Brothers Featuring Let Your Love Flow 1976 BS 2911 Boston Boston 1976 FE 34188 Burton Cummings Dream Of A Child 1978 PROMO 35481 Captain & Tennille Love Will Keep Us Together 1975 R133730-A Christopher Cross Christopher Cross 1979 BSK 3383 CJ Fish Country Joe And The Fish VSD 6555 Cold Blood Sisyphus SD 205 Crosby, Stills, Nash & Young The Stawberry Statement Soundtrack 2xLP 1970 2SE-14ST Daryl Hall & John Oats H2O Dave Crusin Discovered Again 1976 Eric Carmen Eric Carmen 1975 AL 4057 Firefall The Best of Firefall 1981 SD 19316 Foghat Tight Shoes BHS 6999 Genesis Wind & Wuthering 1976 SD 38-100 Gerry Rafferty Night Owl 1979 UA-LA958-1 Greg Kihn Band With The Naked Eye 1979 BZ-10063 Hair (Broadway Cast) The American Tribal Love-Rock Musical 1968 LSO-1150 James Gang Thirds ABCX 721 Jefferson Starship Earth 1978 BXL1-2515 Joe Jackson Night and Day Gatefold 1982 SP-4906 John Cougar Nothin' Matters And What If It Did 1980 John Paul Hammond I'm Satisfied KC 31318 Johnny Cash Greatest Hits Volume 1 CS 9478 Johnny Cash Time Life Country Music 1981 Johnny Lee Lookin' For Love 1980 Kim Carnes Mistaken Identity 1981 SO-17052 Kim Carnes Romance Dance 1980 SW-517030 Melanie Photograph (Gatefold) 1976 SD 18190 Michael Parks Blue SE-4717 Mickey Newbury His Eye Is On The Sparrow 1978 HA-44011 Nightnoise Something Of Time 1987 Windham Hill WH-1057 Orleans Let There Be Music 1975 Pat Benatar Crimes Of Passion 1980 CHE 1275 Pat Benatar Get Nervous 1982 CHR 1396 Paul McCartney Pipes Of Peace Gatefold 1983 QC 39149 Poco Legend 1978 AA-1099 Quincy Jones The Dude 1981 SP-3721 Rare Earth Midnight Lady (German Pressing) 1976 1 C062-97 575 Redhead Kingpin And The F.B.I. Do The Right Thing 12" Single 1989 7 96552-0 Rockpile Seconds Of Pleasure (Gatefold) 1980 JC 36886 Rodney Dangerfield Rappin' Rodney 1983 AFL1-4869 Ronnie Milsap Greatest Hits 1980 Shaun Cassidy Born Late Gatefold 1977 BSK 3126 Smokie The Montreux Album (PROMO) 1979 RS-1-3045 Stars On Stars On Long Play 1981 RR 16044 Stephen Bishop Bish (Gatefold) 1978 AA 1082 The Byrds (Untitled) 2xLP G 30127 The Charlie Daniels Band Fire On The Mountain Gatefold 1974 KSBS 2603 The Dave Clark Five 2xLP 1971 EG 30434 The Happenings Greatest Hits JGS-8030 The Honey Drippers Volume One 1984 A1-90220 The Isley Brothers Inside You 1981 FZ 37533 The Marshall Tucker Band Carolina Dreams Gatefold 1977 Tommy Bolin Private Eyes 1976 C 34329 Tracy Nelson Mother Earth 1972 MS 2054 Willie Nelson & Family Honeysuckle Rose Soundtrack 2xLP 1980 S2 36752 Zuma Southern Pacific 1988 9 25609-1 Grading Scale MINT (M) NEAR MINT (NM OR M-) EXCELLENT (E) or VERY GOOD PLUS (VG+) Very Good (VG) Very Good Minus (VG-), Good Plus (G+) or Good (G) POOR (P) and Fair (F) Detailed Grading Descriptions MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. NEAR MINT (NM OR M-) A good description of an NM record is, "it looks like it just came from a retail store and it was opened for the first time." In other words, it's nearly perfect. NM records are shiny, with no visible defects. Writing, stickers, or other markings cannot appear on the label, nor can any spindle marks from someone trying to blindly put the record on the turntable. If played, it will do so with no surface noise. NM covers are free of creases, ring wear and seam splits of any kind. Covers with cut-out markings can never be considered Near Mint. EXCELLENT (E) or VERY GOOD PLUS (VG+) A good description of a VG+ record is "except for a couple of minor things, this would be Near Mint." VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear, minor ring wear, or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. VERY GOOD (VG) VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song's intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won't be obvious upon looking. Someone might have written on it or stamped a price tag on it. VERY GOOD MINUS (VG-), GOOD PLUS (G+), or GOOD (G) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing miserably. A Good to VG- cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and FAIR (F) Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.